![]() DaVinci Resolve 11 Lite gives you all of the above features at no additional charge, plus the ability to work with files with mixed frame-rates, frame sizes and codecs within a single timeline with maximum Quad HD resolution of 3840 x 2160 pixels supported. One of the best features for me though, is the ability to cut away in the Edit page and then, with the single click of a button – start grading in the Colour page and then go back whenever you want. In addition, there is an extensive support for importing and exporting XML, AAF, and EDL project exchange files between just about every NLE currently in use. There are also timeline and clip markers with multiple colors and notes with optional marker rippling, compound clip creation and editing, linear and variable speed effects with optical flow processing, keyframable effects with an in-timeline curve editor, paste attributes, working with offline clips, full JKL transport controls and more. One can also simply drop clips directly into the timeline or drag clips over the edit pop up window to quickly perform insert, overwrite, replace, fit to fill, superimpose, 3 point.Īdding and swapping edits, adding built-in and third-party effects and transitions are included as well. ![]() ![]() ![]() There are keyboard shortcuts and toolbar buttons to mark edit points, insert tracks, delete clips. Many filmmakers are still wondering whether the DaVinci Resolve 11 is feasible as an “end-to-end” editing solution.īeside the essential editing features that one can find inside Resolve 11 such as ripple, roll, slip, slide, extend or shorten edits built-into the software, there is also a whole set of familiar features that we can’t simply omit. ![]()
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